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My work uses landscape as a metaphor for how surface and inner life both absorb time. What gets buried. What erodes. What survives. What rises back up I'm less interested in landscape for its own sake than in the threshold moments within it — the instant something changes. Light breaking. Shadow falling. The quiet right before a shift, rather than any resolved stillness. When figures appear, they emerge from the land like structure rather than standing apart from it — carriers, like the land itself, of something that happened, and of the rising that follows. The paintings are built from layered, geometric blocks of color that behave like sediment rather than realistic terrain — laid down on wood instead of canvas, a harder support suited to work with a body of work about what endures. Warm, sun-worn tones (rust, ochre, peach, desert green) push against cooler intrusions (deep blue, teal, turquoise), like heat and shade trading places on the same rock face. The brushwork is rough, not polished — nothing feels finished, more mid-erosion, mid-emergence. Kathleen LeRoy is a contemporary abstract artist based in Boulder, Colorado. Her work is shaped as much by the mountains and shifting light of the American West as by her background as a licensed psychotherapist, mother, and entrepreneur, bringing a depth to its emotional and symbolic language.