
Woman Healing Herself, mixed media on paper, "22 x 23
Ducks Resting Their Heads on Their Backs (titled by W), oil on wood, "4 x 4 x 1
Forest Painting 1, oil and mixed media on cradled birch10 x10
Long Winter Walk, oil and mixed media on cradled wood12 x 12
Crossing the Sea in a Canoe, mixed media on canvas, "44 x 44
Evening Storm, oil on cradled birch12 x24
Pheasant Walking, pen, ink, tempera on paper, "?8 x 10
Bunny Kiss in the Forest, for W, acrylic on wood, "?18 x 22
Bath Time with Smiling Hammerhead Shark (for M, G, W), oil on panel, "12 x 12
Floe, oil on canvas32 x 32
Opening The Window, mixed media on canvas30 x 30
Spring Rain, oil on wood12 x 12
Forest Bathing, oil and mixed media on canvas, "36 x 36
Water Dream II (Winter ), oil and mixed media on canvas, (private collection)60 x 48 x 1.5
Wall Of Light, Early Morning, oil on board24 x 48
Autumn , oil on wood11 x 14
Storm Study 1, oil on cradled birch, "4 x 4 x 1
Autumn in Canyon, mixed media on canvas, "30 x 30
How to See Through Clouds, mixed media on canvas, "12 x 36
Once, There Was a Sea, oil on canvas, "48 x 48
Autumn and Water Meditation , oil on wood, " (private collection)5 x 5
Please, Keep the Windows Open, oil on wood, "16 x 20Artwork © Ginger Knowlton.
My artwork has always been driven by an engagement with the natural world – the sweep of ocean and landscape, but also the minutiae of plants, pebbles, raindrops. Though I first fell in love with the luminosity of oil paint, recently I’ve begun to add new media, including natural pigments and inks that my children and I have made from Colorado plants. My paintings are created in layers of attention to both physical and inner landscapes, moving away from the boundaries of direct representation, language, and linear thinking. I love the potential and energy and layered poetry of abstract painting. Most recently, I have been delighted to experience the world alongside my three children, who have taught me to see and experience the world in ways I might never have imagined, and at a pace that I’d almost forgotten. For the past decade, much of my creative energy has been happily devoted to raising my three boys – and as they are growing and I’m giving more time to painting, I see how aligned motherhood and artistic practice really are – the ebb and flow, the need for patience, listening, rhythm, pausing, and the rushes of movement and joy. So far as I can see, my painting will always draw from experience with the natural world, though now with some greater awareness of how deeply connected we are and how inseparable we are from place and from one another. I have practiced art from my earliest years – I cannot recall a time before the crayon and the paintbrush. Though I studied poetry for many years, I took as many art classes as possible while pursuing masters and doctoral degrees in literature and creative writing, and I’m honored to have paintings and drawings in private collections from Bainbridge Island, Washington to Greenwich, Connecticut and abroad.in New Zealand. Visual art has continued to sustain my creativity and sense of self as a mother and as I have taught numerous courses in Colorado and in New Zealand. There is an essential creative correspondence between mothering three boys, writing and publishing poems and essays, and the sheer presence and joy that goes into the process and product of painting. I’m honored to have received awards for painting and writing from Rocky Mountain Women’s Institute and the Academy of American Poets. I feel very fortunate to live and mother and paint in Boulder and Eldorado Springs, Colorado.